In the creative activity of E. Kalandadze, along with genre variety, landscape holds a leading place. His artistic method – intensive multi-colors and sharp, poetic perception suited landscape most of all. In the creations performed in the earliest period it is visible that a painter tries different approaches, spatial or plastic modeling of form, impressionistically light or, on the contrary, pastous painting. These searches are exactly reflected in the paintings created in the late 1950^-s. Equally transitional time is a period from the 1960^-s when the painter does not use ceruse and with nuance tries to convert color into image. After 1970 the artist radically changes the manner of his painting, moving from brush to mastechin. By these technical changes his manner of painting becomes broader, more generalized and obviously gains artistic confidence. He begins to use ceruse freely, yielding a whole spectrum of light colors. In this way the palette becomes more refined, his painting method acquires more certainty and at spatial modeling there appears a luminosity which characterizes his best pictures In his creations one can distinguish three basic variants of subject and colorist composition First, when in the creation of space / plane opposition distribution of space into planes plays a great role; Second, when an open space is given with diagonals stuck one into another and third, probably the best variant, when there is a sharp contraposition between frontally open space and the subject which creates an unusual artistic and at the same time sharp opposition between plane and space.