Experiments carried out by us proved that during the formation of acrobatic compositions the specific acrobatic variants should be envisaged.

According to the observations the success of musical arrangement greatly depends on general musical knowledge of trainer, choreographer and a sportsman and it is much more effective when folk music and songs are used as a musical background.

Practical work showed that during musical composition formation should be chosen according to the sportsmen's taste, age, temper, temperament and technical readiness.