Fovism, abstractionism, cubism, futurism, etc, the like trends are such kinds of painting which gave birth to new, different forms of the classical genre painting. Since the beginning of the 20^th century, there has been observed the tendency towards the new in literature, poetry and in almost all the kinds of art. Thus, we deal with not "paraphrasing" of some separate field, but with the serious common to all mankind symptoms, with the common to all mankind symptom as much, as the difference between the new and the old art is not of only the schematic character. The genre-formal-schematic difference between the old and the new art is stipulated by just the very circumstance, which we mentioned as "common to all mankind symptom". Namely this symptom means "brutality", "godlessness" and finally the common feeling of "The terrible world". Even a creator, despite his will and desire, has to live in such a world, at such "moral temperature". It is entirely natural that the like common to all mankind feelings and mood are reflected in his creative work. Apparently the creation of this cannot resemble the classical one, as new feelings and moods, new "moral temperature" fill the new art with totally new contents, while the new contents requires new expressive forms. "Pastiche" means the form-contents of this type. All these tendencies are defined by the term "modernism", while the "postmodern" means the following deepening of the mentioned tendencies. Correspondingly the question "Where is the way out?" arises. Or more concretely, we wonder if the mankind will manage to put up with the traditional (religious) ideals of the above described symptoms and thus will up the religious and spiritual vacuum, or the continuation of the process of descending of spiritual life and the final frustration of traditional ideals is inevitable. The reply to the question presents another subject of discussion, and the message of the given article, evidently, is a reflexive respond to the common to all mankind symptomatic processes and their reflection in different spheres of art.