This article describes the ability of blak and white reflections of the main expressive means of music from the position of musical skills and the fine arts.

Numerous graphic records and sketches performed during research work have been touched during these work.

The experiments, which were carried out gave the opportunity to consider that the results might be adequate to the position of the theory of orientation of D.N. Uznadze.

Denying the traditional introspective methods for appreciating emotional—imaginary representation arising while listening to music, the author suggested the opportunity of actualization of unconscious sketches.

Has the graphic the ability to be the means of the expressiveness and structural analysis of music?

Researches for the answer on these questions are the main topic of the given article, which only partly reflects the summery of the long standing research work.