In clause the "Memory" Kote Makharadze discussed and analyzed human emotional memory.

Actor's memory – obligatory component of creation precess of a scenic and art image - is effective when the actor is involved in the process of interpretation and his psycho-physical apparatus works in extreme, highly tensed environment. At this time artist is interested not only with own internal processes. His attention is concentrated on the partner, stage environment and the exact performance of the task.

On this case the new way of memorization offered by psychologists rests on restructuring, grouping, and systemization.