Kote Makharadze carefully studied and analyzed the components of scenic skill. We were once again convinced of that reading his article in the magazine "Sabchota Khelovneba" ("The Soviet Art", 1987).

In article Kote Makharadze analyses the logical pause, groups the words by their meanings and defines the speech units. As it known, the logical pause is mobile by itself. Its inappropriate or correct carry essentially changes the contents of a phrase.

The fundamental base of the stage life is the correctly put stage task. According to its "whim" all logical pauses or accents are determined. It is the major impulse for the logically correct and artistically persuasive scenic behavior.